Harmony - Wikipedia. Barbershop quartets, such as this US Navy group, sing 4- part pieces, made up of a melody line (normally the lead) and 3 harmony parts. Watch The Pool Boys Online The Pool Boys Full Movie Online.

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In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing. Usually, this means simultaneously occurring frequencies, pitches (tones, notes), or chords.[1] The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them.[2] Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic line, or the "horizontal" aspect.[3]Counterpoint, which refers to the relationship between melodic lines, and polyphony, which refers to the simultaneous sounding of separate independent voices, are thus sometimes distinguished from harmony. In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with "tensions".

A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) "resolves" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds.

In simple words, that occurs when there is a balance between "tense" and "relaxed" moments. Etymology and definitions[edit]The term harmony derives from the Greek ἁρμονία (harmonía), meaning "joint, agreement, concord",[4] from the verb ἁρμόζω (harmozo), "to fit together, to join".[5] The term was often used for the whole field of music, while "music" referred to the arts in general. In Ancient Greece, the term defined the combination of contrasted elements: a higher and lower note.[6] Nevertheless, it is unclear whether the simultaneous sounding of notes was part of ancient Greek musical practice; "harmonía" may have merely provided a system of classification of the relationships between different pitches.

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In the Middle Ages the term was used to describe two pitches sounding in combination, and in the Renaissance the concept was expanded to denote three pitches sounding together.[6] Aristoxenus wrote a work entitled Harmonika Stoicheia, which is thought the first work in European history written on the subject of harmony.[7]Rameau's 'Traité de l'harmonie' (Treatise on Harmony) from 1. It was not until the publication of Rameau's 'Traité de l'harmonie' (Treatise on Harmony) in 1. The underlying principle behind these texts is that harmony sanctions harmoniousness (sounds that 'please') by conforming to certain pre- established compositional principles.[8]Current dictionary definitions, while attempting to give concise descriptions, often highlight the ambiguity of the term in modern use. Catfight Full Movie Part 1. Ambiguities tend to arise from either aesthetic considerations (for example the view that only "pleasing" concords may be harmonious) or from the point of view of musical texture (distinguishing between "harmonic" (simultaneously sounding pitches) and "contrapuntal" (successively sounding tones).[8] In the words of Arnold Whittall: While the entire history of music theory appears to depend on just such a distinction between harmony and counterpoint, it is no less evident that developments in the nature of musical composition down the centuries have presumed the interdependence—at times amounting to integration, at other times a source of sustained tension—between the vertical and horizontal dimensions of musical space. The view that modern tonal harmony in Western music began in about 1. This is usually accounted for by the 'replacement' of horizontal (or contrapuntal) writing, common in the music of the Renaissance, with a new emphasis on the 'vertical' element of composed music.

Modern theorists, however, tend to see this as an unsatisfactory generalisation. As Carl Dahlhaus puts it: It was not that counterpoint was supplanted by harmony (Bach’s tonal counterpoint is surely no less polyphonic than Palestrina’s modal writing) but that an older type both of counterpoint and of vertical technique was succeeded by a newer type. And harmony comprises not only the (‘vertical’) structure of chords but also their (‘horizontal’) movement. Like music as a whole, harmony is a process.

Descriptions and definitions of harmony and harmonic practice may show bias towards European (or Western) musical traditions. For example, South Asian art music (Hindustani and Carnatic music) is frequently cited as placing little emphasis on what is perceived in western practice as conventional 'harmony'; the underlying 'harmonic' foundation for most South Asian music is the drone, a held open fifth (or fourth) that does not alter in pitch throughout the course of a composition.[1. Pitch simultaneity in particular is rarely a major consideration. Nevertheless, many other considerations of pitch are relevant to the music, its theory and its structure, such as the complex system of Rāgas, which combines both melodic and modal considerations and codifications within it.[1. Watch Jean-Claude Van Johnson Online Etonline. So, intricate pitch combinations that sound simultaneously do occur in Indian classical music—but they are rarely studied as teleological harmonic or contrapuntal progressions—as with notated Western music. This contrasting emphasis (with regard to Indian music in particular) manifests itself in the different methods of performance adopted: in Indian Music improvisation takes a major role in the structural framework of a piece,[1.

Western Music improvisation has been uncommon since the end of the 1. Where it does occur in Western music (or has in the past), the improvisation either embellishes pre- notated music or draws from musical models previously established in notated compositions, and therefore uses familiar harmonic schemes.[1. Nevertheless, emphasis on the precomposed in European art music and the written theory surrounding it shows considerable cultural bias.

The Grove Dictionary of Music and Musicians (Oxford University Press) identifies this clearly: In Western culture the musics that are most dependent on improvisation, such as jazz, have traditionally been regarded as inferior to art music, in which pre- composition is considered paramount.